The Nazis and ‘the People’ in Capra and Riskin’s Meet John Doe | A Year in the Dark
The central message of the Doe speeches is "Love Thy Neighbor," though, conceived in Meet John Doe is the Frank Capra movie that spoke most directly to the mood of the United States at the time that it was made. Ronald Reagan defiantly resisted being cut off during the New Hampshire debates. border radio. Brennan's "heelots" speech, which says almost the same thing, is in keeping with several Meet John Doe is one of the best films ever!. Meet John Doe () on IMDb: Movies, TV, Celebs, and more they hear on the radio or see in papers or hear from elites, and amen to that! . as it was then. people can debate whether or not Capra deliberately made Doe out as a . I was very impressed with Barbara Stanwyck's speech near the end, noting Jesus'.
When Deeds looks like he is tired of all of Cedar's tricks and willing to just give up, a series of these scared rabbit businessmen start saying, "No, Mr.
Deeds, you can't give up! Or how George Bailey's Uncle Billy Thomas Mitchell is rather absent minded he is the one who carelessly drops the deposit money into Potter's lap at the bank. The fact is, for any democracy to succeed you need a fair minded and intelligent and courageous public to support a point of view - and that never shows up in Capra films until the hero makes his last stand. Which is why the villains are more impressive at times.
Nothing is Written: Meet John Doe
With his quiet demeanor, and sharp mind Arnold lets his eyes reveal more of his viewpoint than the tone of his voicehe is the most dangerous figure in Capra's political movies. He sets his financial muscles into action, taking over companies like the newspaper at the start of MEET JOHN DOE and examines how the staff is working out, and notes the clever marketing idea of Barbara Stanwyck in using Cooper as a mouthpiece for social commentary.
Gradually he realizes that Cooper is creating a real movement here - and he might with prompting push that movement into the hands of D. The key moment for his use of eyes and eye contact is paradoxically a simple action that is not really staring at anyone. Arnold explains to James Gleason and Stanwyck what he intends Cooper to say on a national radio hook-up that he'll stage: While Arnold tells this to them, he has taken off his pince-nez eyeglasses and is quietly polishing the lenses - like he is replenishing the strength of those evil eyes of his.
SMITH is corrupt but more accessible.
Taylor in a brief scene is shown with two cohorts having a night's entertainment with some women presumably high class call girls - they are being offered jewelry as an incentive. Norton's idea of an evening is to have a dinner party of all his cronies, to whom he explains what plans he has for American society with their assistance once he gets elected! Norton and Taylor are both serious in what they do, but Taylor can step back a moment and enjoy himself.
Meet John Doe () - Meet John Doe () - User Reviews - IMDb
Capra was assisted by good script writers, but he and they must have had some figures in mind. Publisher William Randolph Hearst comes to mind, with his repeated attempts to jump start his political career he had been a Congressman and a serious Presidential contender in up to the s. As the story progresses Doe, aided by the investment of businessman D. Norton who also owns the newspaper, becomes a national icon, with John Doe clubs being set up throughout the United States.
Although not referred to directly the Nazi-Soviet Pact ofwhich had instigated the Second World War, is key to the way in which these subjects intertwine. It can be argued that the influence of the Nazi-Soviet Pact and the destruction of the HANL has impacted upon the film, making it more complex. The self-destruction of the HANL may also have seemed to some to be a sign marking the Hollywood community as weak.Meet John Doe
The implication in both cases is that there is something innate in Hollywood itself that makes it unable to relate with the real world and instead capable only of narcissistic self-reflexivity. This challenging of Hollywood cinema as one aspect of the mass media even extends to an undercutting of the formal techniques of the Classical Hollywood style.
These montage sequences in Meet John Doe, however, clearly have a double-meaning and so imply a co-existence of good and evil, since the viewer is forced to recognise that he is at once glad that the John Doe idea is a success, since it brings happiness to many, yet anxious that it is being used for immoral purposes. The film as a whole can be said to have an overall style of ambiguity. As well as there being at times a multiplicity of meaning, at other times a cause can also have a multiplicity of effects.
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This can be seen, for example, in the contrasting reactions that the letter Mitchell publishes in The New Bulletin has on the Mayor, the Minister, Norton, an aristocratic woman, the general public and the poor of the city.
Far from being simply a comical aside this dream presents, as much as Hollywood will allow, the distortions to the human character that can happen when a person is given excessive amounts of power. What he offers to individuals is a new, psychological dispensation. Where the individual superego is inconsistent and often inaccessible because it is unconscious, the collective superego, the leader, is clear and absolute in his values.
By promulgating one code — one fundamental way of being — he wipes away the differences between different people, with different codes and different values, which are a source of anxiety to the psyche. In each case the ambiguity that exists as a result of the appearances of similarity between the real and its representation is presented as potentially dangerous.