Frank Sinatra: Hollywood's loneliest lothario
relationship between arranger Nelson Riddle and vocalists Frank Sinatra and Ella Fitzgerald. .. This dissertation examines the relationship between separate views to the project, there must be a shared vision and an environment of trust. Frank Sinatra and Gina Lollobrigida in Credit: Rex where he and a brilliant young arranger named Nelson Riddle had begun creating the string of groundbreaking recordings that would Frank Sinatra and Eva Gardner on their wedding day, Credit: CBS/Getty .. National Trust discount code. Nelson Smock Riddle Jr. (June 1, – October 6, ) was an American arranger, composer, bandleader and orchestrator whose career stretched from the late s to the mids. His work for Capitol Records kept such vocalists as Frank Sinatra, Ella . Riddle's eldest daughter, Rosemary, is the trustee of the Nelson Riddle Trust.
In the Wee Small Hours is recognized as a concept album, one of the first attempts by an artist to use the long-playing format to explore a single, unified theme.
The responsibility of the artist is to transform personal experience into universal experience, to move beyond self-absorbtion and express through art those aspects of individual experience that are shared by the other members of the human race. What is remarkable about In the Wee Small Hours is how Sinatra and Riddle combine to create the purest expression of loss without intervening noise, making it possible for the listener to experience catharsis in relation to their own personal encounters with lost love.
Sinatra insisted on supporting arrangements that gave him plenty of room to maneuver, and, as Riddle himself would admit, Sinatra consistently came up with the best approach for a given song. Here the string arrangement reflects a sense of tenuous stillness occasionally interrupted by bursts of emotion, indicating a restless sleep.
He delivers the first verse in a rich but restrained voice, adding touch of tiredness to his delivery to reinforce the mood of a troubled late night. He delivers the last line of the verse in a tone combining mournful regret and utter helplessness, so much so that you genuinely feel for the man: The song ends with a gentle repetition of the melody on the celeste, as if someone has tiptoed into the room and covered his tired body with a blanket.
Frank Sinatra: Hollywood's loneliest lothario
The introduction of celeste and bass is but a brief nod to thematic considerations, as Sinatra changes the mood in the introductory verses by delivering a semi-stern lecture to the face in the mirror, urging himself to accept fact over fantasy when it comes to love.
Sinatra was never one to simply accept a score or lyrics as-is; his quest for perfection would not allow him to indulge in an off-the-shelf interpretation. You must look at the lyric and understand it. Find out where you want to accent something, where you want to use a soft tone. The word actually dictates to you in a song, it really tells you what it needs.
Since most classical music was written long before the first international copyright agreement inthe great composers have provided many a songwriter with royalty-free opportunities to snatch a promising melody.
Frank Sinatra – In the Wee Small Hours – Classic Music Review | altrockchick
My favorite song on In the Wee Small Hours is the least politically correct number on the album, as it celebrates the virtues of smoking cigarettes to facilitate self-reflection. Characters would take a break from the action to have a smoke and reflect on the plot line, or light up at the kitchen table when they needed to work out a particularly a thorny problem.
Unlike today, where smoking almost automatically identifies a character as an evil villain, both good guys and bad guys smoked, and while sinister meanings were occasionally attached to a female character who puffed on a Lucky, female smoking had the titillation factor going for it, which served to neutralize any ill will a viewer may have felt.
Shame me all you want, your health nazi invective will bounce harmlessly off my secure and comfortable psyche. Sinatra begins the verses in the lower part of the register, moving smoothly through the melodic peaks of the third line before descending to the lows to close the verse and enter the dream world.
Like clouds in the sky, smoke moves in mysterious ways, with strands turning into shapes that resemble objects in the real world. In the bridge, he imagines music coming from the ceiling and the couple does what all couples did in the good old days when they heard music—they dance!
Where the fuck am I? For example, Riddle's most successful tune was " Lisbon Antigua ", which was released in November and reached and remained at the 1 position for four weeks in Riddle's most notable LP discs were Hey Let Yourself Go and C'mon Get Happyboth of which peaked at a respectable number twenty on the Billboard charts.
Later years[ edit ] InRiddle and his orchestra were featured on The Rosemary Clooney Show, a minute syndicated program. InRiddle joined Sinatra's newly established label Reprise Recordsunder the musical direction of Morris Stoloff. Much of his work in the s and s was for film and television, including his hit theme song for Route 66steady work scoring episodes of Batman and other television series including the theme to The Untouchablesand composing the scores of several motion pictures including the Rat Pack features Robin and the 7 Hoods and the original Ocean's In the latter half of the s, the partnership between Riddle and Frank Sinatra grew more distant as Sinatra began increasingly to turn to Don CostaBilly May and an assortment of other arrangers for his album projects.
Although Riddle would write various arrangements for Sinatra until the late s, Strangers In The Nightreleased inwas the last full album project the pair completed together. The collection of Riddle-arranged songs was intended to expand on the success of the title track, which had been a number one hit single for Sinatra arranged by Ernie Freeman.
InRiddle was hired by television producer William Dozier to create the music for the Batman television series starring Adam West. While Neal Hefti had written the Batman theme song as it is known today originally hired for the series but became unavailableit was Riddle who did the first two seasons of Batman sans two scored by Warren Barker.
During the s, the majority of his work was for film and television, including the score for the version of The Great Gatsbywhich earned Riddle his first Academy Award after some five nominations. He wrote the theme song for the television series Emergency! Nelson Riddle's Orchestra also made numerous concert appearances throughout the s, some of which were led and contracted by his good friend, Tommy Shepard.
On March 14,Riddle conducted his last three arrangements for Sinatra. The songs, " Linda ", " Sweet Lorraine ", and "Barbara", were intended for an album of songs with women's names.Frank Sinatra 'Night and Day' 1957 Nelson Riddle Arrangement
The album was never completed. The agreement between the two resulted in a three-album contract which included what were to be the last arrangements of Riddle's career, with the exception of an album of twelve Great American Songbook standards he arranged and conducted for his old friend, opera singer Kiri Te Kanawain Aprilsix months before his death that October.
Ronstadt recalls that when she initially approached Riddle, she did not know if he was even familiar with her music. He knew her name, but basically hated rock 'n' roll. However, his daughter was a big Linda Ronstadt fan and told her father, "Don't worry, Dad. He did it his way: The nice and nasty of Sinatra BelfastTelegraph. Although he had casually encountered her in earlier years, it wasn't until the spring of15 months before her death, that she began to frequent the singer's Palm Springs mansion.
At this juncture, she was overweight, frequently drunk and careless about her personal hygiene, yet although Sinatra found this last a turn-off, it didn't stop him having a sexual relationship with her. He also berated her in front of others "Shut up, Norma Jean, you're so stupid, you don't know what you're talking about"but he seemed genuinely concerned about the fragility of her psyche and, at one point in the following months, he even considered marrying her - if only to save her from herself.
You'll find this information in the second volume of James Kaplan's mammoth biography of the singer - its pages exceeding by pages his first instalment, Frank: The Voice, which came to a close with Sinatra's winning of an Academy award and his losing of Ava Gardner.