Quote to Remember: SLUMDOG MILLIONAIRE 
This is an analysis of the film Slumdog Millionaire. . We also meet Latika, who joins Jamal and Salim on their run out of the slum. themselves has the blue palate, which is foreshadowing the escapist nature their relationship will soon have. Book, film, and arts reviews; e-courses and practice circles; spiritual quotes; Jamal and Salim find themselves on the streets without any resources or hope. Special DVD features include “Slumdog Dreams: Danny Boyle and The Making of Slumdog Millionaire"; childhood · family · media · poverty · relationships. Study 8 Conflict Between Jamal And Salim flashcards from Tommo D. on StudyBlue. slumdog millionaire quotes about poverty.
He works as a trickster guide and thief at the Taj Mahal. He is witty and cunning. Jamal also shows signs of real ingenuity. The psychological calculation that leads him to the right answer, when Prem Kumar gives him the wrong one, is very cleversmart. His witintellect also helps him when the police interrogate himhe is interrogated by the police. When Jamal speaks about knowledge to the police inspector, he shows real signs of genius.
His story about the things that everybody in the Dharavi slum knows is a clever parable of knowledge and learning, and a witty way to get the police officer on his side. Jamal also knows how to use a computer in the call-center for his purposes, although he never officially learned to do it. The film begins with a quiz question.
What would your answer have been? Could other answers be valid as well? The different character of each of the brothers is reflected in their attitudes towards money. While Jamal gives everything to reach his idealistic goals, Salim sees things and people in terms of their monetary value.
study guide for the film slumdog millionaire
These character traits are apparent from the very start. When Jamal jumps into the sewer to get an autograph of his idol Amitabh Bacchan there is literally no shit too deep to stop him from attaining his goals.
The next scene shows Salim selling the hard won autograph to the projectionist at the nearby cinema. He cruelly threatens to drop a baby to the ground and tells Latika to keep it crying, so she will earn more money. After Jamal has dragged him back to Mumbai to look for Latika, Salim complains that the brothers have to work as dishwashers.
Years later when he meets Jamal on top of the highrises overlooking Mumbai, the city reflected in his stylish sunglasses, Salim seems to have reached his goal. But there is more to Salim than his desire for money and power. He also loves his little brother who he tries to protect at all times. Later he gives up a promising business at the Taj Mahal to follow Jamal back to Mumbai.
And eventually he even sacrifices his life so that Jamal and Latika can be together. Jamal on the other hand does not care for money or power. He is the dreamy and idealistic one of the two. To achieve this goal he is willing to leave the good life at the Taj Mahal and work as a dishwasher. When she answers Jamal has won the game regardless of winning the million or not.
How would you describe the differences in character between Jamal and Salim? What are their different goals in life? How do these goals influence the decisions they make? Jamal and Salim have very different attitudes towards money. What does money mean to each of them? Do you believe him? Why does Salim in the end help his brother and Latika? Why does he choose to meet his death in a bathtub full of money?
Mumbai or Bombay as it was called until is the most populous city in India and the fourth largest agglomeration in the world after Tokyo, Mexico City and New York. The population of the greater metropolitan area is approximately Many scenes are set outside and filmed on location in the streets of the city, which is unusual as Bollywood Films are mostly studio productions. Other locations figure the Taj Mahal in the neighbouring province, the district of Juhu and also Dharavi, the largest slum in Mumbai, housing between It shows the ordinary life of slum dwellers with its narrow streets, public toilets, outdoor washing and crowded public schools.
It talks about the dire conditions in which street kids have to survive by begging, stealing or searching garbage dumps. But it also presents us the India of tourists, of international business, of entertainment, of gang violence, and random police power and of the very rich.
In one scene Jamal and Salim meet on the skyscraper building overlooking the new district which is built on the site of their former slum. The scene probably refers to the slum demolition drive by the Maharashtra government. What other groups of people does the film portray?
What do you know about them? Think of all the different jobs the Jamal, Salim and Latika take on to make a living. What possibilities do the three have to overcome their poverty? Which do they choose and why? Think about the scene in which Jamal and Salim try to steal food from rich train passengers. Would you rather join the boys on top of the train or the kid inside?
Why do you think Danny Boyle choose this title? The narrative present is set by the intertitle in the very first seconds of the film: Jamal Malik is one question away from winning In the process of this interrogation the young man remembers the events of his life that led him to the quiz show answers. There are flashbacks to his childhood and youth, but also flashbacks to the quiz show sessions that happened previous to the police investigation.
Danny Boyle uses a number of ways to distinguish the different time zones of his narrative and at the same time smoothly link them to a homogenous whole. One way by which he separates the present from the different pasts is his use of colour and movement. Both interrogation situations are filmed in muted colours, dominated by blue in the case of the quiz show and by khaki and white in the case of the police station.
Also both interrogation situations are more or less static and remain the same throughout the movie. In between he and his brother are escaping gangsters, jumping trains, struggling to make a living, fighting, laughing and forever running from the police.
Slumdog Millionaire Quotes ()
Sound is also used to distinguish different narrative straits: At the same time Boyle uses sound, colour, editing, and movement to closely connect the different scenes to each other. Thus the sound of the quiz show often carries over into Jamals memories and vice versa.
For example in a scene we might see the last images of a childhood flashback while already hearing the quiz show host begin to talk. Danny Boyle also uses careful editing to closely interlace the different narratives of his film. Instead of the slow fades or zooms that are often used to introduce flashbacks, Boyle prefers hard and fast cuts.
Very often he cuts from a close up of Jamals face into a memory which is a very common way to introduce a flashback. First you show a person remembering something then you show what they are remembering. But Boyle also uses this technique the other way round.
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Several times he ends a memory with the younger Jamal looking at the camera as if he would look into the future. The effect is one of immediacy.
The past is not something bygone and far removed from the present but something that is deeply relevant and defining the present. As the film constantly jumps back and forth from one to the other there is hardly any distance between past and present. Indeed when Jamal thinks back to the most painful moment in his life, the death of his mother, there is no distance at all.
When the flashback ends the camera slowly pans to the left. Not only do we see both past and present in one single image but we also see them in reverse order as you would usually expect the future to be on the right hand side on any timescale.
For Danny Boyle past and future are so closely linked that they can almost be said to be happening at the same time. There is no place in his life where Jamal can sit back and relax.
In the interrogation room he is under threat from the police, in the quiz show he stands to win or lose Danny Boyle expertly choreographs all these story lines to cumulate in one moment, the answering of the last question. As the story approaches the present, its different strands align themselves and begin to happen at the same time. In a prime example of parallel editing, Danny Boyle now jumps rapidly from one scene to the next.
Not only are Jamal and Latika approaching their destiny, it seems all of India is too, as Boyle cuts to scenes of families gathering in front of their television or people settling down in front of TV shops to watch the national event. All are included in the great motion towards fate. What is a flashback in a film? Name some examples of films using a flashback structure. How many levels of time does Slumdog Millionaire use? How can you tell them apart? Though comparing the two is like comparing apples to apples, so I'm not going to fall into that trap.
The main character of the movie is Jamal Malik, a young "slumdog" who grew up on the streets of Bombay with his older brother Salim and a young girl they befriended named Latika.
The host, Prem Kumar, becomes very suspicious of Jamal, wondering how a kid from the slums could possibly know so much—even after he deliberately feeds Jamal an incorrect answer during a commercial break! So after an episode one night, he has Jamal arrested and tortured interrogated by the local police, who review with Jamal each and every answer he's made on the show, basically wondering how he could possibly know each answer.
Jamal responds each time with a story of survival from his childhood in the slums, always revolving around a tragic event wherein he gained the knowledge to the "Millionaire" question. For example, one of the questions was who composed a famous Indian song the name of which escapes me. Jamal learned who wrote the song when he was very song, when he, Salim, and Latika were taken under the wing of someone named Maman.
The song Jamal was questioned about on "Who Wants to Be a Millionaire" was the one sung by his friend Javed just before he was blinded by Maman and put on the streets to collect beggars money. Flashbacks like this served as good storytelling devices, but the fact that every answer on "Who Wants to Be a Millionaire" could be traced back to a gritty story from Jamal's childhood in the slums was just too convenient for me.
But aside of the main plotline about how Jamal progresses on "Who Wants to Be a Millionaire"there's also a very human story about Jamal's relationships between his brother Salim, with whom he's shared a very rocky relationship, and that with Latika, for whom Jamal has always carried of a torch.
Since Jamal and Salim lost their mother in a religious riot when they were both very young, all they had for so many years was each other, though Salim was often very bullying and arrogant. Having not grown up with a sibling, I often find myself fascinated by the tumultuous relationships between brothers or sisters, and the evolution and disintegration of Jamal and Salim's relationship was the one thing that held my attention the most.