10 SoundCloud Hip-Hop Artists You Should Know About | Consequence of Sound
Author Archives: David What you hear and see today is the direct result of your input: this is your SoundCloud. For creators of music & audio. His name is David Noël, and he's the kind of guy who runs toward big challenges . Draw The Owl and Other Company Values You Didn't Know You Should Have At SoundCloud, there are two key owners for every All Hands meeting: the. Stream David K. - Meet You (Thomas Lizzara Remix) Snippet by Thomas Sign in. Release on Toka Beatz. David K. - Meet You.
Social media has taken the chase for the fumes of fame to a whole new level of bullshit. After washing through the commercial EDM scene artists buying Facebook fans was exposed by several outfits last summerfaking your popularity for presumed profit is now firmly ensconsced in the underground House Music scene.
I directed him to our music submission guidelines. We get somewhere between five and six billion promos a month. Nothing about this encounter was extraordinary.
A few hours later, I received his first promo. It was, not to put too fine a point on it, disposable: These things are a dime a dozen these days — again, everything about this encounter was boringly ordinary.
Louie was faking it. But I noticed something strange when I Googled up the track name. Ignoring the poor quality of the track, this is a staggering number for someone of little reputation. Most of his other tracks had significantly fewer than 1, plays. Stranger still, most of the comments — insipid and stupid even by social media standards — came from people who do not appear to exist.
Am I missing something? Did I jump the gun? How can so many people like something so ordinary? Desperate to make an impression in an environment in which hundreds of digital EPs are released every week, labels are increasingly turning toward any method available to make themselves heard above the racket — even the skeezy, slimey, spammy world of buying plays and comments.
They have made-up names and stolen pictures, but they rarely match up. These are what SoundCloud bots look like: There are literally thousands of these.
Fake SoundCloud Favorites and Likes Most of the comments are hilariously banal, but a few do stand out. Fake SoundCloud Comments Most of them are like this. Louie deleted this track after I contacted him about this story, so the comments are all gone; all of these were preserved via screenshots.
He also renamed his account. But why would someone do this? Collaborations are another great way to meet other artists there. You communicate via Direct messages or Email, you exchange files and present the result on both clouds of the collaborators.
I played violin for a few artists, I wrote songs and worked with singers there, sometimes I had even three or more people involved in a collaboration. This is a lot of fun. The last two years I had a rhythm of posting one song every two weeks, so immediately when one song was published I felt motivated to work on the next one.
I even planned three or four songs in advance like a schedule. Maybe a kind of addiction, but a very productive one. It also happened, that some musicians liked my work so much, that they became fans and purchased songs from me on Bandcamp and I loved also some artists that much there, that I also supported them on Bandcamp.
First Soundcloud like every other social community is a closed system. If you put a lot of effort in comments and feedback the effort is only visible within the community. If you put a lot of effort in a blog-post like this one you will reach probably more people, because the article is searchable on google etc. I realized this, when I searched google for some well-known artists of the Soundcloud-community, artists, which are a kind of a legend there, and I did not found anything on the web except their Soundcloud-profile.
Not a single article somewhere, no recordings on well-known platforms, just nothing. I understood, that their reputation just existed within the Soundcloud eco-system, nowhere else. And what would happen, when Soundcloud would close its doors? Are there real listeners, who could become a fan of your music? Yes, there are listeners. When I look at my statistics and some playlists, which were created with songs from me, I see accounts without tracks and only a few or no followers.
Soundcloud stated inthat they have Million users. On the other hand they have 10 Million music creators. So the majority of users on Soundcloud must be listeners, though I believed a long time, that I am just surrounded by musicians there.
How SoundCloud Keeps Communication Flowing Across 4 Offices in 4 Time Zones | First Round Review
From to present I got k plays, a highly impressive number, and I often opened my statistics and admired those impressive numbers again and again. It took some time before a doubt lurked in my mind. Within three years I have not recognized any impact from a pure listener. In the Soundcloud Eco-system a listener should be encouraged to write comments.
But the only people writing comments there are the fellow musicians, which also expecting comments on their own tracks. I also tried three years to convert a listener there to a real fan. I set links to Bandcamp, my homepage and other resources about heartscore.
You have the same problem on Facebook, because people want to stay within Facebook and expect, that you give them your content there.
But if I reach or plays on a track and I reached these numbers sometimes I would expect a relation of numbers and conversion. But meanwhile I have the impression, that there is no conversion-rate on Soundcloud, because I have not registered a reaction of any normal listener there except musicians: Nobody from Soundcloud has ever contacted me there or through other channels to praise or critic my music Nobody joined my newsletter Nobody bought songs on Bandcamp nor downloaded there free tracks But when I set up a track on Soundcloud for a free download it was downloaded many times.
Though there are many people listening to my songs I see nothing as a result outside the Soundcloud-system. The community of musicians on Soundcloud has changed. If you exchange detailed comments and feedback with like-minded artists you can benefit from experience and knowledge of others. In the comments you discuss problems of the mix, arrangement and you can test, if people like your work.
Actually I observe, that this fertile exchange of knowledge and even the communication at all is decreasing.
Problems with "Likes" from Soundcloud
When I started on Soundcloud I had long discussions within the comments-section. Sometimes even other people joined the discussion. It changed, when more and more Soundcloud-artists started to promote their tracks on Facebook.
Meanwhile there are only a few people, who go further than just to leave short unspecific comments. Mostly you can even not decide, if the commenter has listened just to the first second of your track. Youtube for an example measures how far you have watched and listened a video. If Soundcloud would want to raise the quality-level they could count a Play just for a full stream and allow comments after a full stream.
I have heard from older members, that in the beginning of Soundcloud they call it the Classic Soundcloud, which was replaced, when I started there the whole community was focused on communication, comments and collaborations.
I started at the end of this legendary Classic-phase and with the release of the Repost-feature artists jumped on this train and tried to push their tracks with as many reposts as possible. I also followed this new tactic and reposted and reposted.
The value of a Repost faded away as soon as people reposted hundreds of songs each day. Meanwhile I guess, that the life-span of a Repost is not longer than a Tweet on Twitter. In the past I recognized a benefit from a repost because of two or three comments more after it. Today I can not see a relation anymore between the amount of reposts and the plays.
My average amount of reposts is between and maybe, but if I have two songs with a similar amount of reposts one gets plays and one gets So reposts are getting useless. After the repost-wave the playlists appeared.
People create playlists of songs from other artists and encourage everybody on the list to support it. Therefore the playlists are often very long, up to tracks sometimes. I still remember the times of the mixtapes in the 80s and 90s, when you recorded a collection of songs on a cassette and put some effort into the selection and the order of the tracks to create an inner cohesion and structure.
I can still not see the sense of playlists with songs of different genres. But I was also a part of this method and took the opportunity of pushing the plays of my tracks.